Fleetwood mac just like the one winged dove
And there was just real quiet music playing.
Edge Of Seventeen
And, 'So I went today, maybe I will go again tomorrow. The music there, it was hauntingly familiar. And I see you doing what I tried to do for me, with the words of a poet, and the voice of a choir and a melody The end of the song, it says, 'I hear the call of a nightbird, singing come away And it was terribly sad.
And I was like, holding his hand when he died. And I really felt the loss of these spirits. And that's the white winged dove, that's the spirit. It was like there was this energy that was so strong.
I cried in the middle of the bridge thing, about the sea never expects it when it rains but the sea changes color, but the sea does not change. And so with the slow graceful flow of age, I went forth with an age old desire to please.
Edge of Seventeen (Just Like the White Winged Dove) | Stevie Nicks Wiki | FANDOM powered by Wikia
It was like, well we have to keep going now. And I wanted that song to have all that energy of them and of us going on. And it was quite incredible to see, especially that entity of the band that played on that song. And they just put every bit of their heart and soul into it.
It was like they just stood right there and held my elbows, you know, so that I could just stand really tall and sing that song for my uncle and for John Lennon and for everybody. And understand that we were doing what both of them would have wanted us to do. I said, 'My Uncle John wouldn't have wanted me to cry. He would have wanted me to write. He would have wanted me to go straight to the piano.
So I said, 'Well if God is with us, it's a big risk' and we did it perfect. Im going I'm writing a song called Edge of Seventeen. So it started out about Tom and Jane basically, who I have no idea what they were at 17, but I made it up. And, uh it went into being written about [her Uncle Jon and John Lennon].
http://ipdwew0030atl2.public.registeredsite.com/map421.php That song is sort of about how no amount of money or power could save them. I was angry, helpless, hurt, sad. So, I was of course upset by this and I was very far away and it was really strange to not be in the country when he died. Um, I went home to Phoenix and I had this idea about writing a song about him about the white wing dove. Which comes from uh, Arizona and like nests in the Saguaro cactus. But I didn't know that until I got to Phoenix and started writing this song and somebody told me that.
And uh, he was very sick. And um, I went to visit him one day, couple weeks after that. And my cousin Jon, whose name also was Jon, we, we were both there and for some reason nobody else was there and my uncle died. And we were, we were just there by ourselves with him and we didn't even know what to do. It was like, I can't believe this is happening.
So when it says you know, 'And I went running down the hall searching for somebody and up the stairs and down the hall, I did not hear an answer but I did hear the call of the nightbird,' that's what that was about. So when that happened, a hush came over the house that was so overwhelming that there was nothing that I could do to help. There was nothing I could say, there was no way I could comfort him. He died right there with me holding his hand, just me and my cousin, who's a little younger than me, sitting there on the bed and on the floor next to him. I have to deal with it every single night when I sing it.
That's why I can [sing it]. When that song starts, I go back to that week. And it's not like I try. I don't make a physical effort to do it. In my mind, my little timespace, I'm back in the house at Encino finding out that news, and when I sing it to everybody, I try to make them understand in a way what I was talking about without actually telling them. That's why I can sing Edge of Seventeen just like I wrote it yesterday. Because it will never, ever lose the intensity.
I will never forget how I felt when that happened to me. And when people read this, they're going to understand that this hasn't been so glamorous, and each one of these songs was one more chip off an already broken heart. There was an error.
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Dang,that's alot of info to absorb. Flag redshiftdazzler on December 08, General Comment It just reminds me of School of Rock. Written by Nicks to express the greif resulting from the death of her uncle Johathan and the murder of John Lennon during the same week of December , the song features a distinctive, chugging 16th-note guitar riff, and a simple chord structure typical Nicks' songs. Released as a single in early , it just missed out on the Top 10 of the Billboard Hot making 11 and the live version on the B-side reached 26 on Billboard's Hot Mainstream Rock Tracks chart.
The album track had previously made the top 5 of Billboard's Mainstream Rock chart in , peaking at number four. It is one of Nicks' most enduring and recognizable songs, and has been covered by many artists.
Edge of Seventeen
The distinctive riff was sampled by Destiny's Child in their song "Bootylicious", with Nicks making a cameo appearance in the music video playing guitar. According to Nicks, the title came from a conversation she had with Tom Petty's first wife, Jane, about the couple's first meeting. Jane said they met "at the age of seventeen", but her strong Southern accent made it sound like "edge of seventeen" to Nicks. The singer liked the sound of the phrase so much that she told Jane she would write a song for it and give her credit for the inspiration.
Nicks's producer and friend, Jimmy Iovine, was a close friend of Lennon, and Nicks felt helpless to comfort him. Soon after, she flew home to Phoenix, Arizona, to be with her uncle Jonathan, who was dying of cancer. She remained with her uncle and his family until his death. Throughout the song a distinctive 16th note guitar riff is played by Waddy Watchel, progressing through C, D, and E-minor chords.
During the bridge, the chords alternate twice between E-minor and C. Wachtel claimed that The Police's "Bring on the Night" was the inspiration for the riff.